Television

Viewing data by channel and by programme, impacts, revenue and universes plus TV and sport sponsorship information. Find out more.

Can social TV survive without appointment TV?

21 Feb 2012 |  Jeremy Toeman 
Jeremy Toeman

So the Grammy's unsurprisingly (I will explain why I say it that way in a moment) set all sorts of records for social TV. Just like the Superbowl did a few weeks ago. I call this a big yawner, but first, some definitions:

  • Appointment TV: a TV show where the majority of the audience is watching live. The five primary examples are reality shows (American Idol, Amazing Race, etc), news (CNN), sports (mostly hockey), events (Oscars, Royal Weddings etc), and "big episodes" of scripted television (Lost Series finale, Game Of Thrones season 2 premiere etc).
  • Catch-up TV: everything that doesn't fit into appointment TV above. Literally. Every "typical" episode of every "typical" show is in the catch-up category, which means there is no particular driver for someone to watch it anywhere near to real-time. This is why I'm still on Weeds season 5, Entourage season 6 etc, and will catch up on things like Breaking Bad, Game of Thrones and others whenever I find the desire.
  • Social TV: let's do this SAT-style. Social TV : TV :: Social Media : Web. In other words, it's a nebulous mess of "stuff you use - things like Facebook and Twitter - to do while watching TV". It includes hashtags, check-ins, second screen, likes, and is a big jumbly undefined thing. And I have no problem with that.

So why do I say things like "unsurprisingly" and "yawner"? Because this is a burgeoning activity. We are at the very earliest stage of people using second screens whilst (yup, whilst) watching TV. I myself tweeted a couple of times during the Superbowl (really during the ads):

Jeremy's tweet

This is an infinite increase over last year's SuperBowl. I didn't watch the Grammy's, but had I, I likely would've tweeted. And this isn't just about me, it's a pretty universal trend. Why? Because Twitter, the platform we are using to measure social TV as a concept, is still growing. So anything measuring a growing service with growing use and calling the outcome "record-setting" is really just fulfilling an exercise in redundancy. Every new instance of appointment TV tweeting will outpace all previous instances, until Twitter stops growing.

But really, that's all just a sidepoint. My issue, concern, and question, is whether or not there's any value whatsoever in any of this for catch-up TV. Do I care about tweets someone sent during an episode of House from last year? Or last week? Or even 10 minutes ago? I don't, and I don't understand why someone else would either. Nor do I care about what someone is watching right now unless I too can (and should) watch the same thing, at the same time. Heck, I hate seeing the promos to text in my vote (to Top Chef, my guilty pleasure show) when I'm seeing an episode four months after it aired.

I don't see a solution to this conundrum. To be clear, I'm not questioning will social media impact TV behaviours - that will certainly happen. Further, as evidence is mounting that catch-up TV is growing steadily and will inevitably outpace real-time/appointment TV, I see the window somewhat shrinking for what's currently called "social TV". But that shouldn't really surprise anyone, as it's such an early stage in the evolution of TV. And if you think about it in evolutionary terms, TV is just learning about making fire now, and the wheel is probably a few years away...

Read the full article here.

Latest Television News

Despite reports earlier this week that Discovery Communications, in partnership with BSkyB, had made a deal to buy the UK's Channel 5, fresh reports today say the US firm has dropped out of the bidding process altogether.
All six episodes of Jonah From Tonga, the new series from the writer and star of Summer Heights High and Ja'mie: Private School Girl, will be made available on BBC iPlayer from 2 May for 48 hours.
How to Get a Council House (9pm); much more worthwhile than the sensationalist title would suggest, the programme followed a few of the 4.5 million people currently on the waiting list and the stark realities of everyday life.
Even though "The Great British..." isn't in the title, the concept should be pretty familiar to the masses.
New figures from Decipher's MediaBug report have shown strong growth in Netflix membership over the past six months, with an increase from 10% to 14% of UK online users now with a subscription.
The launch of #WatchOnSky marks the first time that a British broadcaster has created a service which lets users access live TV and set recordings via their Twitter timeline.
This month, Torin Douglas speaks with Emma Scott, managing director of Freesat, about consumer data, competing with the likes of Sky and Virgin and the changing role of TV platforms in building customer relationships...
Richard Desmond, founder of publishing and television group, Northern & Shell, has reportedly sold Channel 5 to Discovery Communications and BSkyB in a deal worth £350 million.
Controller of BBC Three, Zai Bennett, is to leave the Corporation for a new role as director of Sky Atlantic.
At long last, last night's TV schedule brought some swift, sweet retribution for long-suffering fans of Game of Thrones (Sky Atlantic, 9pm) as the balance of power was finally and ferociously shifted in the ‘good guys’ favour.

More Latest Television News available to subscribers